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july 2017

William Mackrell at Albright-Knox Art Gallery, Buffalo, New York

Drawing: The Beginning of Everything

July 8 – October 15, 2017

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May 2017

Solo presentation of Andrea Galvani’s works at the Deutsche Bank Wealth Management Lounge in Frieze New York.

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May 2017

Ewa Axelrad’s exhibition SATIS reviewed by Fi Churchman on

Art Review

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Apr 2017

Acquisition of William Mackrell’s work Gulp by the Albright Knox Museum, Buffalo

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Mar 2017

Acquisition of Andrea Galvani’s work Llevando una pepita de oro

a la velocidad del sonido #10 by The Dallas Museum of Art.

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Mar 2017

Ewa Axelrad’s exhibition SATIS reviewed by Joseph Constable on This Is Tomorrow

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Feb 2017

Solo presentation of Jaime Pitarch at Art Rotterdam Stand 89,

9 – 12 February.

Feb 2017

Fabio Lattanzi Antinori in-conversation with Curators Ashlee Conery & Melanie Lenz

Melanie Lenz, Curator in Digital Art & Digital Programmes Manager at the Victoria & Albert Museum, and Ashlee Conery, Curator at the Florence Trust and member of FormContent.

 

Feb 2017

William Mackrell’s solo exhibition Door for a day at Krinzinger Projekte, Vienna

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Dec 2016

Fabio Lattanzi Antinori interviewed by Federica Tattoli on Fruit of the Forest.

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Dec 2016

Fabio Lattanzi Antinori’s solo exhibition Dear Shareholder featured on Royal Academy as one of the five best shows to see in London along with Serpentine Gallery and the National Gallery shows.

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Nov 2016

Group exhibition END-USER: JonesSmithJohnson, Carey Young, Jason File and Jonas Lund reviewed by Emily Med on Art Monthly.

Sep 2016

Jeremy Hutchison’s exhibition MONSTER reviewed by

Federica Tattoli on Fuit of the Forest.

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Aug 2016

Acquisition of Andrea Galvani’s series The End Trilogy (2013-2016) by the Deutsche Bank Collection.

Jul 2016

Acquisition of Jaime Pitarch’s video work Alepo by

Le Carré D’Art Contemporain, Nimes, FR

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Jun 2016

Rosana Antolí’s solo exhibition When Lines are Time at the Fundació Joan Miró, Barcelona.

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Feb 2016

Mark Davey’s exhibition BLEND reviewed by Naomi Ellis on Sleek Magazine.

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Dec 2015

Andrea Galvani interviewed by Isabella Paghera on ATP Diary.

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Dec 2015

Andrea Galvani’s exhibition The Sun, a Gold Nugget and Seven Stairs reviewed by Jaime Marie Davis on This Is Tomorrow.

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Nov 2015

Andrea Galvani in-conversation with Thomas Frangenberg

Art historian Thomas Frangenberg in conversation with artist Andrea Galvani regarding his solo exhibition’The Sun, a Gold Nugget and Seven Stairs’. The talk focuses on the intersection between art and sciencewithin Galvani’s artistic practice and discusses Galvani’s collaboration with physicists from Space and Atmospheric Physics at Imperial College London to stage an intervention on the opening of the exhibition.

 

Oct 2015

Group exhibition Performed Painting: Rosana Antolí, Ferran Gisbert, Alan Sastre and Vicky Uslé reviewed by Caroline Douglas, Director at the Contemporary Art Society, London.

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Oct 2015

Rosana Antolí in-conversation with Juan Cruz and Sarah Kent

As a closure event to the exhibition ‘Performed Painting’, Juan Cruz, Dean of Fine Art at the RCA, was in conversation with artist Rosana Antolí and art critic Sarah Kent. Framed within the intersections between performance and painting addressed in this group exhibition, the talk focused on Antolí’s artistic practice and Kent’s involvement in Antolí’s ‘Yves Klein Reply’ (2015), which was performed during the exhibition’s opening event.

Sep 2015

William Mackrell presents Gaps, Glitches and speed bumps

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May 2015

Jason File in-conversation with Dr Jo Melvin

Jo Melvin, Reader in Archives and Special Collections at University of the Arts London, was in conversation with American-British artist Jason File regarding his solo exhibition ‘An Ornament and a Safeguard‘. Examining the often fraught relationship between currency and art, Melvin and File discuss the alchemic power of the art market explored within the exhibition, often focusing on the intersection between art and law within File’s artistic practice.

 

Jan 2015

Patricia Lara, Director at The RYDER Projects, interviewed by Susie Pentelow on Traction Magazine

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Dec 2014

William Mackrell in-conversation with Dr Jo Melvin

Prior to the opening of The RYDER’s inaugural exhibition, ‘William Mackrell: Steam Horses‘, Jo Melvin, Reader in Archives and Special Collections at University of the Arts London, was in conversation with Mackrell to discuss the upcoming show and his artistic practice, which extends into video, photograph, sculpture and installation.